OFFERINGS
gifts
to Gods, Ancestors and Demons
The many
unseen inhabitants of Bali - gods, ancestors and demons -
are treated by the Balinese as honored guests through the
daily presentation of offerings (banten) of every imaginable
shape, color and substance. These are first and foremost gifts
- expressing gratitude to benevolent spirits, and placating
mischievous demons to prevent them from disturbing the harmony
of life.
Simple
offerings are presented daily as a matter of course, while
more elaborate ones are specially produced for specific rituals.
After the daily food is prepared, for example, tiny packets
are presented to the resident gods of the household before
the family eats. Every day, too, the spirits are presented
with tiny canang - palm leaf trays containing flowers and
betel as a token of hospitality.
Being gifts
to higher beings, these offerings must be attractive, and
a great deal of time and effort is expended to make them so.
Leaves are laboriously cut, plaited and pinned together into
decorative shapes (jejaitan). Multi-colored rice flour cookies
(jajan) are modeled into tiny sculptures and even into entire
scenes which have a deep symbolic significance quite apart
from their decorative function. In many ways, therefore, the
production of offerings may be regarded as an important traditional
art form that still flourishes on Bali.
Materials
and preparation
Aside from
a few durable elements employed, like coins, cloth and an
occasional wooden mask, offerings are generally fashioned
of perishable, organic materials. Not only the materials,
but also the function of these objects is transitory. Once
presented to the gods, an offering may not be used again and
similar ones have to be produced again and again each day.
The preparation
of offerings is one of the many tasks undertaken by every
Balinese woman. Within the household, women of several generations
work together, and in this way knowledge and skills are handed
down to the young. To a limited extent, men also cooperate,
for it is their task to slaughter animals and prepare most
meat offerings.
Many women
in Bali even make a living by acting as offering specialists
(tukang banten). Their main task is to direct the armies of
people who collectively produce offering for large rituals
at home or in the communal temple. They are able to coordinate
this work because they know the types and ingredients of offerings
required for each occasion.
As more
and more Balinese women work outside the home in offices or
tourist hotel they have less time to undertake elaborate ritual
preparations themselves. This result in an increasing demand
for ready-mad offerings that many tukang banten produce in
their own home with the help of women they employ. In spite
of this limited commercialization, the meaning and ritual
use of offerings is not diminishing in Bali.
Ritual
uses
For almost
any ritual, the enormous number and variety of offerings required
is quite a astounding. There are literally hundreds of different
kinds - the names, forms, sizes an ingredients of which differ
greatly. Further more, there is considerable variation fro
region to region, and even from village to village. The basic
form of most offerings is quite similar, however. Rice, fruits,
cookies, meat and vegetables are arranged on a palm leaf base
and crowned with a palm leaf decoration, called a sampian,
which serves also as a container for betel nut and flowers.
Certain
offerings are used in many rituals, whereas others are specific
to a particular ceremony. Basic offerings form groups (soroh)
around a core offering, and since most rituals can be performed
with varying degrees of elaboration depending upon the occasion
and the means and social status of the participants, the size
and content of these offering groups vary also according to
the elaborateness of the ritual.
The size
of an offering may be scaled up or down to match the occasion.
For example, an ordinary pula gembal contains, among other
things, dozens of different rice dough figurines in a palm
leaf basket. In more elaborate rituals, this becomes a spectacular
construction of brightly-colored cookies, measuring several
meters from top to bottom.
Besides
the major communal offerings associated with a particular
ritual, each family brings its own large and colorful offering
to a temple festival. It is a spectacular sight when women
of a neighborhood together carry offerings in procession to
a temple.
At the
temple offerings are placed according to their destination
and function. Offerings to gods and ancestors are placed on
high altars, whereas demons receive theirs on the ground.
An important difference is that offerings to demons may contain
raw meat, while those for the gods and ancestors may not.
Specific offerings required for a ritual are Placed in a pavilion
or temporary platform.
During
the ceremony, a priest purifies the offerings by sprinkling
them with holy water and intoning prayers or mantras. The
smoke of incense then wafts the essence of the offerings to
their intended destination. The daily Presentation of offerings
at home takes place In a similar way, through the use of holy
water and fire. After the ritual is over and their "essence"
has been consumed, the offerings may be taken home and eaten
by the worshippers.
Symbolism
The elements
that make life on earth possible are transformed into offerings
and thus returned as gifts to their original Creator. But
an offering not only consists of the fruits of the earth,
but also mirrors its essential structure - decorative motifs
often symbolize the various constituents of the Balinese universe.
The colors
and numbers of flowers and other ingredients, for example,
refer to deities who guard the cardinal directions. The requisite
betel on top of every offering symbolizes the Hindu Trinity,
as do the three basic colors used - red for Brahma, black
or green for Wisnu, and white for Siwa.
Conical
shapes, whether of offerings as a whole or of the rice used
in it, are models of the cosmic mountain whose central axis
links the underworld, the middle world and the upper world
- symbolic of cosmic totality and the source of life on earth.
Cookies of rice dough represent the contents of the world
plants, animals, people, buildings or even little market scenes
and gardens. Pairs of such cookies, like the sun and moon,
the mountain and sea, the earth and sky, symbolize the dual
ordering of the cosmos in which complementary elements cannot
exist without one another. The unity of male and female, necessary
for the production of new life, is in many ways represented
in the composition of offerings. By recreating the universe
through the art and medium of offerings, it is hoped that
the continuity of life on earth will be assured.