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Ketoprak:
A folk melodrama originating in Yogya. A more traditional theatre
form than /udruk, yet it's more movie-like and more costly to
stage with technical devices often utilzied. Ketoprak is most
often performed in the Javanese language accompanied by gamelan.
Dancing and singing is used in the beginning and at the end, but
not in the middle. A show usually begins at 9 pm and ends at 1
am. Serials a e frequently divided into 7 installments to last
throughout the week. This form takes its stories mostly from East
Javanese folklore and history as well as from Chinese and Arab
sources. Traditional moral lessons with contemporary social commentary
are woven into the performance; it informs, instructs and entertains
at the same time, passing on new trends and ideas in subtle ways.
Ketoprak tells much about current Javanese society.
Past,
present and future are all incorporated into the plotkings, court
scenes, enchanted rings, magic incantations, village doctors,
political elections, bandits, dwarves, battle scenes on man-powered
horses. You could see anything. If the Christmas story is enacted,
it's with traditional Javanese dress and mannerisms. Hamlet can
even be adapted to ketoprak with all kinds of local elements mixed
in to Javanize it so it will be a success. Clowns do mimicry of
the courtly Serimpi dancers, including all the simpering expressions.
Audiences roar with laughter at this slap-stick comedy. It's truly
a theatre of the people. Ketoprak is sometimes so popular that
local authorities must close these shows down beoause villagers
are spending too much money, neglecting family responsibilities
and local taxes.
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